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Tag: Short film

iDildo ~ Now You See Us

iDildo ~ Now You See Us

“iDildo does the trick and you don’t have to cook it food or wash its sock.” Romina Schwedler’s latest comedy short film about certain aged women feeling invisible and often misinterpreted. She uses light and comedy to carry a deeper message.

Barbara Miluski and Caroline Ryburn

Synopsis

Now You See Us is is “a coming of (a certain) age story” about two rival actresses played by Barbara Miluski and Caroline Ryburn. They are both auditioning for a part in a TV commercial. They begin to realize that they have more in common than just a rivalry.

Film Details

This 11-minute film brings the best of age discrimination and a lifelong rivalry full circle. The women find common ground in the idea that the one line in the commercial is the actress holding up a cell and stating, “I only use it in emergencies.” The cell phone begins the conversation about women of a certain age struggle with technology.

Caroline says, “I have an i-phone, i-pad, and an iDildo. It does the trick, you don’t have to cook for it, or wash its sock.” They both laugh at the idea that they had made large changes and sacrifices in their life. Even that iDildo is better than having someone around.

The walls break-down when they realize that they are being stereotyped for acting roles. “Boomers” no longer matter. They were the pitch to crowd, changing food, and fashion. They are invisible now.

Light and Comedy Use

The entire film is black and white adding a feel of age. The dimness of light in the waiting area adds to the tension of their rivalry. The loss of light brings the cell phone use in the time of an emergency adding to the humor. The end of the film light is used to bring awareness to the issues that these women are facing

The phases of the moon photos in the room where the audition is to take place clearly demonstrate the many phases of life the women this age experienced. This is a connecting piece that puts the rivalry to rest and they start sharing their impressions on being invisible.

Director Romina Schwedler

Romina was born in Buenos Aires, Argentina. She moved to New York to attend American Ballet School at 15. She followed in her parent’s footsteps (she is a director, actress, and singer) by becoming a filmmaker. Her film, The Visit, was screened at 47 film festivals including Prescott’s Film Festival. The film received 13 awards, 16 nominations, and 5 special mentions. Awards include Best Short Film, Best Overall Festival Film, and Best Director.

idildo Now You See Us 4chion Lifestyle
Cast and Crew Now You See Us

Now You See Us

The film’s cast and crew are women. This adds to the dimension of the film’s focus on a section of women that is often discriminated against and stereotyped.

Won the Special Jury Award at its World Premiere at theChelsea Film Festival

Selected for Oscar® Qualifying St. Louis International Film Festival, Big Apple Film Festival,

Seattle Film Summit

More screenings are lined up for 2021.

Trailer https://www.youtube.com/watch?v=nRnIfwpmxKU

FULL CAST

Barb – Barbara Miluski
Caroline – Caroline Ryburn
Electrician – Leema Mitchell
New Actress – Rochelle Slovin

DIRECTOR

Romina Schwedler

PRODUCERS

Executive Producers – Barbara Miluski, Jonathan Hazan
Producer/ Line Producer – Michelle PolancoCo-Producers – Danna Kinsky, Romina Schwedler
Associate Producers – Alan J. Carmona, Bianka WidaKay, Susan Rafter

WRITERS

Play – Barbara Miluski
Adapted Screenplay – Romina Schwedler

ORIGINAL SCORE

Itamar Ben Zimra

FULL CREW

Cinematographer – Danna Kinsky
First Assistant Director – Maca Carrizosa
Sound Mixer – Ash Knowlton
Script Supervisor – Mavis Martin
Gaffer – Olivia Kimmel
First Camera Assistant – Diana Rodriguez
Grips & Electrics – Anna Vyaches, Rui Arichika
Production Assistant – Adalina Aladro
Sound Design – Cory Choy, Ash Knowlton, Luke Allen/ SILVER SOUND
Colorist – Jenny Montgomery/ COMPANY 3
VFX Artists – Eddie Lebron, Shaun Ryan
Additional Photography – Alan J. Carmona
BTS Photography – Adalina Aladro
BTS Video – Bianka WidaKay
Editor – Romina Schwedler
Makeup & Hair – Mollie Parks
Graphic Design – Rachel Freeman-Lev
Social Media – Rachel Freeman-Lev, Dora J. Friedman

Social Media

Instagram: https://www.instagram.com/nowyouseeusfilm/ Facebook: https://www.facebook.com/NowYouSeeUsFilm
Twitter: https://twitter.com/nowyouseeusfilm/

Many women can share and relate to this film. The film rings true in my own life. iDildo was a perfect sentiment to we got this!

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YouTube https://www.youtube.com/channel/UCJs_KTDH4axs6nnWHWmkF5Q

The Visit at Prescott Film Festival Romina Schwedler

The Visit at Prescott Film Festival Romina Schwedler

The Visit, at Prescott Film Festival, is Romina Schwedler, screenwriter and director, first film,  This short movie is a juxtaposition of life events.

The Visit Short Film

The Visit is a day in the time of a visit with a mother (June Squibb) and son (Sean Maher). The story takes a moment in time for the son and develops a sequence of events that changes lives. The son must face the consequences of the events.

Schwedler’s attention to details in the film completes the story. She states, “every little detail, in the lighting, the wardrobe design, and every odd thing matters.” The juxtaposition of the story develops well with the attention to details.

Schwedler develops the story from a conversation with her father about her aunt. Her aunt experiences loss of most family and friends. Coping with the deep grief and loss her aunt develops elaborate stories regarding those she lost. Her techniques in film development here allow the audience to experience the emotions in the story.

The casting for the short film was “serendipitous,” she says. She approaches June Squibb, Oscar-nominated actress, at an award dinner in Los Angeles with a flash drive of the script. Sean Maher, Ben in the short film, heard about the project and appreciates June Squibb’s work. His agent contacted Schwedle in regards to working on the project.  The casting provides a twist much like the film. Check local film festival events for screening.

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Connect with the director, Romina Schwedler, here:

Twitter https://twitter.com/RominaSchwedler

LinkedIn https://www.linkedin.com/in/romina-schwedler-a1b30367

Instagram https://www.instagram.com/rominafilm/

YouTube https://www.youtube.com/channel/UCJs_KTDH4axs6nnWHWmkF5Q

Grief and Loss ~ “The Visit” a Film By Romina Schwedler

Grief and Loss ~ “The Visit” a Film By Romina Schwedler

Romina Schwedler, screenwriter and director, presents her first filmThe Visit, at Prescott Film Festival. This short film is a juxtaposition on life events.

The Visit is a day in the time of a visit with a mother (June Squibb) and son (Sean Maher). The story takes a specific moment in time during the son’s life and develops a sequence of events that change lives. The son must face the consequences of the events.

Schwedler’s attention to details in the film completes the story. She states, “every little detail, in the lighting, the wardrobe design, and every odd thing matters.” The juxtaposition of this story develops well with the attention to details.

Schwedler develops the story from a conversation she had with her father concerning her aunt. Her aunt experiences loss of most family and friends. Coping with the deep grief and loss her aunt develops elaborate stories about those she lost. Her techniques in film development here allow the audience to experience the emotions in the story.

The casting for the short film was “serendipitous,” she says. She approaches June Squibb, Oscar-nominated actress, at an award dinner in Los Angeles with a flash drive of the script. Sean Maher, Ben in the short film, heard about the project and appreciates June Squibb’s work. His agent contacted Schwedle in regards to working on the project.  The casting provides a twist much like the film. Check local film festival events for screening.

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The Hidden Side ~ Allegoria

The Hidden Side ~ Allegoria

 

Allegoria LJFFF 4Chion Lifestyle
Allegoria Fashion Film Photo Credit LJIFFF

Allegoria directed by Ines von Bonhorst, she is a director, producer, and video artist. Her work includes documentaries, long and short films, experimental films and video art installations, worldwide. Yuri Pirondi work reflects a relationship between visual art and cinematic experience. He Follows a multidisciplinary and transversal artistic direction in which he collaborates with different artists. This couple’s talents combine creating Allegoria, a short fashion film, screened at La Jolla Fashion Film Festival.

Allegoria Synopsis: A fashion short film based on the subconscious side of the human affections.

  • The film is about the subconscious side of the human affections. How does this film connect to fashion?

Usually, fashion is all about our external shell, how we appear, how we look to other people. Our idea instead is to take out our hidden side and show it in a shape of cinematic emotion, where our main character is fighting against her doppelgänger.

As the movie developed, also the dress does. From a tight look that constraint the actress in the beginning of the movie, slowly our character reaches her freedom, as well as the clothes, became light and soft.

The ideas behind the look of our actress are from our great stylist Daniela Corcio, also the designer of IKONOSTAS, the dresses used in the video.

  • How does location play into the subconscious side of the human affections? 

The location in our video is a middle-age castle based in North Italy. By itself a castle is like a fort, this metaphor; the castle represents the mood of our main character. When she finally manages to be herself, she runs away from the castle, in other terms the location work as a main element in the movie.

  • What is the one thing you do each day to make it successful?  

Keep creating. Keep doing movies! Working hard every day, and always have a new project in mind to develop it!

  • What is your background in film and direction?

As a couple, we have 2 different backgrounds. Ines has a sharp eye on working with actors and editing, developed during the years. Yuri instead has a background more focus on the photography and mise-en-scene. We are definitely complementary in our job!

  • What is your insight into women in film creation, with 7.5% being directed by women (Women In Film)?

As the woman co-director, I can describe my own feelings and thoughts and try to trespass those same moods to film and acting.

The majority of women pass from different period and moods and I think there is no one better than other women to speak about that same feeling.

The statistics are low but I have an optimist view where the numbers are getting higher, at the moment there are much more women studying film and I think the statistics will change in a near future.

  • What is one way that we can support women created films as a participant in films? 

I think the best way is to work hard every day and try to create your own identity, as a woman and as an individual. In my opinion, anyone that insists and works hard for what they want, in one way or another they end up reaching their goals. Unfortunately as a woman, a majority of the times, you have to do it even harder. The way to support women in films is to include more female characters and try to understand their point of views.

  • When creating this film what was the advantage of being a short film? 

The main advantages to making a short are the low costs of production and the short time to make the movie, so you can have a product in your hand in few days of work. We would love to work on a feature movie instead, where you can have plenty of time to develop story and characters.

  • Subconscious and surrealism is a theme through out your films how did you mix this with Allegoria? 

Yes, we usually work with surrealist images, in the case of Allegoria we worked on the idea of doppelgänger effect, where our main character talk with her double to discover her persona and finally be free from her self-judgment.

  • What are other locations this film will be screening?  

The movie aside La Jolla Fashion Film Festival has been shown at the Canadian Fashion Film Festival in Calgary, and also is trying to participate at Milano Fashion Film Festival, Istanbul, Brussels, London, and Porto.

The film takes fashion full circle with the concept of what is real and not real, similar to the Allegory of The Cave by Plato.

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Connect with the Allegoria here:

Article about styling for a fashion film http://www.ikonostas.net/the-hidden-side-of-allegoria-the-making-of-photography-and-styling/

Trailer here http://inesvonbonhorst.com/?portfolio=1564

Website Ines von Bonhorst http://inesvonbonhorst.com/

Website Yuri Pirondi: http://www.yuripirondi.com/

Facebook Yuri Pirondi: https://www.facebook.com/yuri.pirondi

Facebook https://www.facebook.com/ines.bonhorst?ref=tn_tnmn

Twitter Ines von Bonhorst https://twitter.com/Ines_Bonhorst

Twitter Yuri Pirondi https://twitter.com/YuriPirondi

Instagram Ines von Bonhorst https://www.instagram.com/inesvon0b89/

Instagram Yuri Pirondi https://www.instagram.com/yuri.pirondi/

Vimeo Ines von Bonhorst https://vimeo.com/inesvonbonhorst

Viemo Yuri Pirondi https://vimeo.com/user3119456